I’m really getting like Delisle’s travelogues. This one is substantially longer than the others I’ve read, and is also particularly pretty. It documents the one year he spent in Jerusalem with his family while his wife worked for an NGO. There are a few small adventures, but as usual, what’s really enjoyable is you get a sense of Delisle’s personal experience of the place – not just its sights and people, but how at times he felt frustrated, bored, confused, and so forth. He does such a good job of capturing the feel of his experience by sharing small moments. Wonderful stuff.
A fine continuation of the first book. The only negative note I have is that I want more!
I really enjoyed this comic book. Before I get into it, let me just say by the way that, as a cartoonist, I appreciate Neufeld’s dedication to drawing gorgeous and detailed backgrounds. There’s no cheating in this book, from an artistic perspective.
This is all the more impressive given that the book is really a piece of reporting. It’s not attempting to be literary or exactly beautiful. Rather, it’s a pretty high fidelity retelling of the stories related by seven people of different backgrounds who survived Hurricane Katrina.
That said, it’s not without great moments. For instance, there’s a part where the characters trapped in New Orleans find that the only people maintaining order and keeping thirsty people alive are the “thugs” who are willing to rob local stores to supply water. The almost science fictional seeming militarization of the city is also very striking. One scene describes a man in a boat coming to a hospital to ask for help for his baby. He is turned away by guards with guns, although people on the upper floors of the hospital throw food and water to him before he goes on his way.
I usually have a gripe about memoirs that present bare facts rather than trying to make sense of it all, but A.D. is really more of a report than a memoir, and on those terms it succeeds fabulously.
These DeLisle books are just delightful. They’re light and fun, but you really get a feel for his experiences going to work in other countries. This one was less funny than the North Korea one, but as a comic I think it was better. He does such a good job of capturing the feeling of loneliness and isolation he experienced. In part this is accomplished by developing a set of silent images for different people and places in the city. These images recur over the course of a book that is sometimes funny and sometimes sad, but either way serves very well to convey his experience as a guy who doesn’t speak Chinese going to work in a city with few English speakers. Highly recommended.
What a great memoir. I’ve been reading a lot of memoirs in graphic novel format lately, and this one was one of the very best, both in terms of its style and execution. I especially enjoyed the way in which the book moved from scene to scene without frequently telling you what year or location it was. The artwork and, well, comicking itself was just so good that I rarely had to take a second to figure out where the scene had changed to.
The only critique that occurred to me is that the “character” of Tran himself in the story feels very… unformed. Maybe this is simply because it depicts Tran mostly at a younger age, where he would’ve been, indeed, unformed. But, I couldn’t help but feel that the character is so self-flagellating (he is almost always depicted as a sort of know-it-all punk kid) that you miss what could be a more whole interaction between kids and parents. Tran’s past self feels less like a person than a point of embarrassment that the author is covering over with humor. It still works well enough, but I would’ve loved if, here and there, we had a moment of just Tran being himself, in a way that only develops character, rather than moving forward the book’s telling of history.
But, still, quite a good memoir comic, and absolutely beautiful.
A quick and fun sketch of the author’s time spent working for an animation studio in North Korea. I don’t have too much to say about it, other than that it’s quite enjoyable, and that I plan to read other books by the author. This isn’t a memoir like March or Maus – it’s not trying to bring you to a heightened awareness of the universe. It’s not particularly poignant, nor is it trying to be. It’s just an incredible well-told, occasionally quite funny, recounting of a short strange time in the author’s life.
I really enjoyed this book, which is a sort of braiding of three plotlines, one a fable, one a farce, one a diary, all of them on the topic of finding one’s identity as an Asian person in a predominantly white society.
The only thing I will say by way of critique (and maybe this is sort of like someone at a restaurant critiquing small portions rather than quality, BUT…) is that the diary portions were so clever and subtle that I found myself rushing through the other segments. The other parts were there for a reason, and certainly were important to the building of the story and the ultimate coalescing of the different narrative melodies, but… I feel like I could have easily enjoyed three or four hundred pages of the more realistic portion of the tale.
Wow. What an incredible poem and story. I wasn’t able to put it down after I read the first stanza.
This book was written in the 1920s, but didn’t get much of a print run, mostly due to the sex and murder, one suspects. Anyway, it is a great story told with incredible melody. Here’s a stanza, selected more or less at random:
The candles flared: their flames sprang high:
The shadows leaned dishevelled, awry;
And the party began to reek of sex.
White arms encircled swollen necks:
Blurred faces swam together: locked
Red hungry lips:
White shoulders burst their ribbon bands;
Rose bare to passionate, fumbling hands:
White slender throats curved back beneath
Attacking mouths that choked their breath.
In short: DANG. Wow, what a book. The version I got was a re-issue with very pretty artwork by Art Spiegelman, author of Maus. He apparently happened on the book by accident, due to finding it in a used book store, having a beautiful cover. The illustrations are an excellent reason to re-issue the book, but the star here is really the words. I won’t go so far as to the pictures take away from the poem – they, in fact, have this wonderful Art Deco gruesomeness that I assume was in part inspired by Ward’s book “Gods’ Man” – but part of me regrets having not read it first without pictures.
Dammit, this book is perfection. I hope I write something this good someday.
It’s the story of Spiegelman’s father Vladek, and his experiences during the Holocaust. The story is framed by an equally compelling collection of interactions between Spiegelman and his father as the former collects these stories in order to create the comic book. This book is rightfully considered a classic, and I’m glad I finally got around to it. Time to do a Spiegelman dive.
What a great graphic novel. The best way I can say it is that this book is what Sex in the City should be. The characters are beautifully crafted and the story is wonderful. Ulinich also does an excellent job of using the vehicle of comics to create the story.